Ladies and gentlemen, it’s that time of year.
It’s Booking Season. You know, the season where I sit down, answer emails, make phone calls, and schedule meetings to book shows for the following year. Now these shows can range from thirty people in a basement, to five hundred people in a conference center or theatre.
But a least a few times a year, I come across someone planning an event that has a boatload of other questions that usually pertain to the rest of the event. Sometimes, it’s about catering. Or, it’s about audio and lighting. Other times, it’s about how to make whatever the event is special or unique in some way. And, being an expert event-goer, I’ve been to my fair share of events from every edge of the spectrum. And this year, I’ve had a few back-to-back requests about how to really add some pizazz to upcoming events that clients are hosting. So, to help all the would-be planners out there, I’ve decided to put together a little list on how to add some simple things to make your event pop.
There’s been a big event in my household.
We bought the next instalment of the Star Wars franchise. It was a momentous occasion.
Ever since Lucasfilm (or Disney, or whoever you want to call it) decided to continue the iconic space opera, Hannah and I have been keeping tabs on all the updates, leaks, and releases of the upcoming films. So, since the release of The Last Jedi coincided with Hannah’s birthday, it became the perfect birthday gift.
But, to make sure we had all the story up to date when we watched The Last Jedi, we went back and watched the The Force Awakens first. And while watching The Force Awakens, a very unusual conversation popped up around one particular scene.
In the movie, there’s a moment where C-3PO (a gold, very proper, humanoid robot, if you’re unfamiliar with the films) pops out of a spaceship, greets everyone and says, “you probably don’t recognize me because of the red arm.” Camera pans to a full body shot of the droid, showing his usual golden arm replaced with a bright red one. Cue running gag for the remainder of the film.
Seeing this, Hannah says, “Huh, I guess that makes sense...you know, when a car gets damaged, sometimes the coloUr of the part doesn’t match. It’s probably the same for droids.”
To which I responded, “Yeah, kind of like when 3PO had a silver leg in the first Star Wars trilogy.”
Instead of getting an “Oh right,” or “Yeah, I remember,” all I got back from Hannah was a confused stare.
“What are you talking about? He’s always been gold. What silver leg?”
The Force Awakens gets paused. Multiple Google image searches ensue.
Eventually Hannah concedes that the silver leg did indeed happen, but she’s sure that she remembers it differently.
Alas, Hannah is another victim of…(cue dramatic music)
The Mandela Effect.
Recently, my fiance and I were sitting with in my living room with a magically-inclined friend of mine. We had spent the afternoon discussing a few projects we all had on the go, and like these discussions usually do, we all went off on our unique tangents into stories, Youtube videos, and archival photos in our various social media profiles. You know what that’s like, right? Of course you do.
Now despite this wizard-friend knowing me for at least two or three years, she was unaware of my previous lives that have led me to the current magic-and-mentalism-based career I’ve chosen. Just to catch you up, before I was a professional mentalist, I was a baseball player, a bartender, an undergraduate scientist, an actor, and improviser, and of all things, a poster-child for the University of Lethbridge (which, in fact, was the direct result of my combined expertise in the “scientist” and “baseball player” fields...Maybe I’ll tell that story at a later date, but for now, back to the original story).
But, as we carried on our discussions about all things magic-related, I realized how the process of making magic and the process of scientific discovery are basically the same. (Well, at least to me.) The tools I used to carry out research as an undergrad at the U of L were more or less the same steps I had been using to create the magic that had been put into my shows for the past six(ish) years. So, in an effort to help us all be better magicians (or scientists...or both?) I’m going to outline how the famous (cue bold, dramatic voice-over) SCIENTIFIC METHOD shapes everything I do to get my magic on stage.
Disclaimer: What follows is grossly oversimplified, both from a “making magic” standpoint, as well as “this is how science works” standpoint (after all, my goal is to entertain you with internet ramblings). If you want more about the scientific method, there’s a great video here.